One Morning Like a Bird
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| Author | Andrew Miller |
|---|---|
| Country | England |
| Language | English |
| Genre | Bildungsroman |
| Publisher | Sceptre |
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Publication date
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4 August 2008 |
| Media type | |
| Pages | 373 |
| ISBN | |
| OCLC | 230989513 |
| Preceded by | The Optimists (2005) |
| Followed by | Pure (2011) |
One Morning Like a Bird is the fifth novel by English author, Andrew Miller, released on 4 September 2008 through Sceptre. The novel received mostly positive reviews.
Yuji Takano is a writer in 1940s Tokyo. The story focuses on Takano's exploration and discovery of "Western" culture, exemplified in the meetings of the "club" which he forms with his French-speaking friends. The novel examines the effects on Takano's life and relationships of the impending events of World War II, and the possibility of conscription.
The novel received mostly positive acclaim, with reviewers praising Millers evocation of the Eastern world and its intricacies; and Millers "delicate" prose. Detractors of the novel cited two-dimensional characters and some confusing moments as the main faults.
In a review for Pop Matters, David Pullar stated the novel was "clever, responsible and just plain well-written"; that it is an "imaginative and profound reflection on Japanese identity in the early days of the Second World War"; stating of the novel as a whole "Miller’s depiction of a Japanese world that largely passed with the American occupation is vivid and enticing" and awarding it a score of eight out of ten. Harry Ritchie, writing for The Daily Mail, stated "this is a quite beautifully written coming-of-age novel with a completely convincing Japanese hero and a precisely, lovingly rendered evocation of imperial Japan". Reviewing for The Daily Telegraph, Helen Brown felt the novel was "convincingly Japanese", stating "there are moments of beauty, truth and irony" and "Miller places his words and plot developments carefully". She did, however, find the "distillation of things down to their universal essence can slow the pace" and found that she "got a bit bored following Yuji about the city". Peter Carty, reviewing for The Independent, stated "Miller's trademark is silken prose which gleams with acutely rendered detail" and that "when this stylistic fluency is brought to bear on Yuji, the result is a character so well realised as to engage all of our sympathies". He does temper this somewhat, however, stating, of the novel as a whole, "mostly, he is supremely successful, although his massings of humanity can be confusing, and there is a sense of a frustrating compression".
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