On the Radio: Greatest Hits Volumes I & II
| On the Radio: Greatest Hits Volumes I & II | ||||
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| Greatest hits album by Donna Summer | ||||
| Released | October 15, 1979 | |||
| Length | 71:20 | |||
| Label | Casablanca | |||
| Producer | Giorgio Moroder, Pete Bellotte, Gary Klein | |||
| Donna Summer chronology | ||||
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| Singles from On the Radio: Greatest Hits Volumes I & II | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| Robert Christgau | A |
| Slant Magazine | |
On the Radio: Greatest Hits Volumes I & II is the first greatest hits album by American singer Donna Summer, released on October 15, 1979. It was her fourth consecutive double album, and also made her the first person ever to take three consecutive double albums to the number one spot on the U.S. album chart. This would become Summer's third multi-platinum album to date.
In the early stages of Summer's recording career, her work had been distributed in different countries by different record labels. Varying compilations had been released by these labels. In 1977, Casablanca Records (who had previously been responsible for distributing her work in the U.S.) became responsible for distributing her music in most nations and On the Radio became the first proper international compilation album released by them after years of many successful disco hits. (NB: There were still some countries, such as The Netherlands where other labels continued to distribute her work. A similar compilation was released by Philips Records in this country). The album spanned Summer's career from her breakthrough, the raunchy "Love to Love You Baby" right through to the more rock-influenced tracks of her Bad Girls album. The majority of the tracks were either remixed or edited, largely to fit such a big number of tracks onto two records. Each side, barring side D, runs as a continuous mix.
The compilation also contained two brand-new tracks. The first of these was the pop–disco flavored "On the Radio" (which opened the album, and closed it in a longer version). Written for the film Foxes, this song was reminiscent of some of her other hits ("Last Dance", "MacArthur Park", "Dim All the Lights") in that it started off with a slow beat. The longer version at the end of the album, like the full-length version of "Last Dance", also contained a slow part in the middle. The song was nominated for a Grammy in the Best Female Pop Vocal Performance category. A longer version was used on the Foxes movie soundtrack release, but omits the final "...now I'm sittin' here with the man I sent away long ago" verse, opting for a repeat of the third instead.
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