Oi! punk
| Oi! | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1970s, England (particularly the East End of London) |
| Typical instruments | |
| Derivative forms | |
| Subgenres | |
| Punk pathetique | |
| Other topics | |
| Football hooliganism • Garry Bushell • hardcore punk • mod revival • punk ideologies • skinhead • Sounds magazine • UK 82 • working class | |
Oi! is a subgenre of punk rock that originated in the United Kingdom in the late 1970s. The music and its associated subculture had the goal of bringing together punks, skinheads and other working-class youth.
The Oi! movement was partly a response to the perception that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, "trendy university people using long words, trying to be artistic...and losing touch". André Schlesinger, singer of The Press, said, "Oi shares many similarities with folk music, besides its often simple musical structure; quaint in some respects and crude in others, not to mention brutally honest, it usually tells a story based in truth." For instance, "Such Fun", from Oi! Oi! That's Yer Lot!, by The Blood is an extension of the 1977 Sex Pistols song "God Save the Queen" which attacks the abuse of power by those who hold themselves in a royal or religious majesty.
Oi! became a recognised genre in the latter part of the 1970s, emerging after the perceived commercialisation of punk rock, and before the soon-to-dominate hardcore punk sound. It fused the sounds of early punk bands such as the Sex Pistols, the Ramones, The Clash, and The Jam with influences from 1960s British rock bands such as the Small Faces, and The Who, football chants, pub rock bands such as Dr. Feelgood, Eddie and the Hot Rods, and The 101ers, and glam rock bands such as Slade and Sweet. Although Oi! has come to be considered mainly a skinhead-orientated genre, the first Oi! bands were composed mostly of punk rockers and people who fit neither the skinhead nor punk label.
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