Off the Beaten Path (Justin Moore album)
| Off the Beaten Path | ||||
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| Studio album by Justin Moore | ||||
| Released | September 17, 2013 | |||
| Genre | Country | |||
| Label | Valory Music Group | |||
| Producer | Jeremy Stover | |||
| Justin Moore chronology | ||||
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| Singles from Off the Beaten Path | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| Country Weekly | C+ |
| Digital Journal |  |
| Got Country Online | |
| Roughstock | |
| USA Today | |
Off the Beaten Path is the third studio album by American country music artist Justin Moore. It was released on September 17, 2013 via Valory Music Group. The album includes duets with Miranda Lambert and Charlie Daniels. A deluxe edition was also made available. The album has sold 364,000 copies in the US as of June 2016.
The album includes the singles "Point at You", "Lettin' the Night Roll" and "This Kind of Town".
Off the Beaten Path garnered generally positive reception by music critics to critique the album. At Allmusic, Stephen Thomas Erlewine felt that the release had "an air of authenticity." Markos Papadatos of Digital Journal proclaimed that Moore "stays true to his roots" on an album that was "highly eclectic and a real treat", and called the album "a well-crafted musical work". At Roughstock, Ashley Cooke wrote that "Justin Moore stays true to his cowboy hat, the Country way and the twang we've grown to love with Off The Beaten Path." In agreement, Raina Smith of Got Country Online felt that "Justin stays true to his cowboy hat and roots that’s for sure in this modern and traditional country music album." At The New York Times, Jon Caramanica wrote a positive review, and noted that Moore "engages in a bait and switch: cloaking old-school values with new-school references. He is in no way a dissenter, merely someone who understands that old forms can stand even stronger with injections of new ideas." Furthermore, Caraminica vowed that "Mr. Moore is solid in his convictions: that country music of the 1970s, the more accessible side of the outlaw years, is worth preserving, and that the true modern spirit of that sound is mindful of the rest of the world." However, Bob Paxman at Country Weekly evoked that the release "mostly serves up an array of clichéd, mediocre tunes about the majesty of the country lifestyle." At USA Today, Brian Mansfield told that Moore "may sing about small towns, heaven and redemptive love with unquestionable conviction", but he "just can't recover" to make his album truly special.
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