Occupational verse

A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song.

Records of work songs are roughly as old as historical records, and anthropological evidence suggests that all agrarian societies tend to have them. Most modern commentators on work songs have included both songs sung while working as well as songs about work, since the two categories are seen as interconnected. Norm Cohen divided collected work songs into domestic, agricultural or pastoral, sea shanties, African American work songs, songs and chants of direction and street cries. Ted Gioia further divided agricultural and pastorals songs into hunting, cultivation and herding songs, and highlighted the industrial or proto-industrial songs of cloth workers, factory workers, seamen, lumberjacks, cowboys and miners. He also added prisoner songs and modern work songs.

In societies without mechanical time keeping, songs of mobilisation, calling members of a community together for a collective task, were extremely important. Both hunting and the keeping of livestock tended to involve small groups or individuals, usually boys and young men, away from the centres of settlement and with long hours to pass. As a result these activities have tended to produce long narrative songs, often sung individually, which might dwell on the themes of pastoral activity or animals, designed to pass the time in the tedium of work. Hunting songs, like those of the Mbuti of the Congo, often incorporated distinctive whistles and yodels so that hunters could identity each other's locations and those of their prey.

Most agricultural work songs were rhythmic a cappella songs intended to increase productivity while reducing feelings of boredom. Rhythms of work songs, similar to an African drum beat, served to synchronize physical movement in groups, coordinating sowing, hoeing, and harvesting. The usage of verses in work songs were sometimes improvised and sung differently each time. Improvisation provided singers with a subversive form of expression. Slaves sang improvised verses to mock their overseers, express frustrations, and share dreams of escaping. Many work songs served to create connection and familiarity between workers.

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