Oath of the Horatii
| Oath of the Horatii | |
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| Artist | Jacques-Louis David |
| Year | 1784 |
| Medium | Oil on canvas |
| Dimensions | 329.8 cm × 424.8 cm (129.8 in × 167.2 in) |
| Location | Louvre, Paris |
 David's Oath of the Horatii, Smarthistory
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Oath of the Horatii (French: Le Serment des Horaces), is a large painting by the French artist Jacques-Louis David painted in 1784 and now on display in the Louvre in Paris. The painting immediately became a huge success with critics and the public, and remains one of the best known paintings in the Neoclassical style.
It depicts a scene from a Roman legend about a dispute between two warring cities, Rome and Alba Longa, and stresses the importance of patriotism and masculine self-sacrifice for one's country. Instead of the two cities sending their armies to war, they agree to choose three men from each city; the victor in that fight will be the victorious city. From Rome, three brothers from a Roman family, the Horatii, agree to end the war by fighting three brothers from a family of Alba Longa, the Curiatii. The three brothers, all of whom appear willing to sacrifice their lives for the good of Rome, are shown saluting their father who holds their swords out for them. Of the three Horatii brothers, only one shall survive the confrontation. However, it is the surviving brother who is able to kill the other three fighters from Alba Longa: he allows the three fighters to chase him, causing them to separate from each other, and then, in turn, kills each Curiatii brother. Aside from the three brothers depicted, David also represents, in the bottom right corner, a woman crying whilst sitting down. She is Camilla, a sister of the Horatii brothers, who is also betrothed to one of the Curiatii fighters, and thus she weeps in the realisation that, in any case, she will lose someone she loves.
The principal sources for the story behind David's Oath are the first book of Livy (sections 24-6) which was elaborated by Dionysius in book 3 of his Roman Antiquities. However, the moment depicted in David's painting is his own invention.
It grew to be considered a paragon of neoclassical art. The painting increased David's fame, allowing him to take on his own students.
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