Nozze di Figaro

Le nozze di Figaro The Marriage of Figaro
Opera by W. A. Mozart
Early 19th-century engraving depicting Count Almaviva and Susanna in act 3
Librettist	Lorenzo Da Ponte
Language	Italian
Based on	Le Mariage de Figaro by Pierre Beaumarchais
Premiere	1 May 1786 (1786-05-01) Burgtheater, Vienna

The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro]), K. 492, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro"), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.

The opera is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas.

Beaumarchais's earlier play The Barber of Seville had already made a successful transition to opera in a version by Paisiello. Beaumarchais's Mariage de Figaro was at first banned in Vienna; the Emperor, Joseph II, stated that "since the piece contains much that is objectionable, I therefore expect that the Censor shall either reject it altogether, or at any rate have such alterations made in it that he shall be responsible for the performance of this play and for the impression it may make", after which the Austrian Censor duly forbade performing the German version of the play. Mozart's librettist managed to get official approval for an operatic version which eventually achieved great success.

The opera was the first of three collaborations between Mozart and Da Ponte; their later collaborations were Don Giovanni and Così fan tutte. It was Mozart who originally selected Beaumarchais's play and brought it to Da Ponte, who turned it into a libretto in six weeks, rewriting it in poetic Italian and removing all of the original's political references. In particular, Da Ponte replaced Figaro's climactic speech against inherited nobility with an equally angry aria against unfaithful wives. Contrary to the popular myth, the libretto was approved by the Emperor before any music was written by Mozart.