Nothing (N.E.R.D album)
| Nothing | ||||
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| Studio album by N.E.R.D | ||||
| Released | November 2, 2010 | |||
| Genre | ||||
| Length | 36:51 | |||
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| N.E.R.D chronology | ||||
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| Singles from Nothing | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| The A.V. Club | C |
| Entertainment Weekly | B+ |
| Los Angeles Times |  |
| musicOMH | |
| NME | (6/10) |
| The Observer | (favorable) |
| Pitchfork Media | (4.1/10) |
| PopMatters | (7/10) |
| Sputnikmusic | |
Nothing is the fourth studio album by American funk rock band N.E.R.D, released November 2, 2010 on Star Trak Entertainment and Interscope Records in the United States. On October 17, 2010, the standard edition and the deluxe edition of the album became available for pre-order on iTunes.
"We needed to align ourselves and make ourselves parallel and congruent with what society is feeling," Williams tells Billboard.com. "There's a lot going on and a lot of things people don't necessarily understand. We have a Tea Party. We have conservative Democrats. We have liberals that are like neo-liberals and nothing like you thought they'd be. There's so many different hybrid sects of people and issues...
"So we thought why not make a timeless album that's kind of a time capsule, so 10 years from now people look at that album and go, 'I remember that era. That's when the 'Nothing' album came out.' I just wanted to make some good music that would affect people in a good way." Williams says it wasn't easy. N*E*R*D worked on "a previous body of work which was really good, but it wasn't timeless to me. I didn't feel like we were pushing ourselves as much as we could. We needed to perfect the sound, so we kept pushing the date back until it was right." The result includes "a lot of vintage sounds...The album is very '68-'72, '73, America meets Crosby, Stills & Nash meets Moody Blues."
The impetus was partially based on more wholeheartedly embracing digital audio workstation programs such as Logic Studio Pro, while using new tools to invoke a spirit of emotionally responsive late-'60s/early-'70s psychedelic pop with the final product.
Hugo had previously adopted many in-the-box techniques, and Williams always had a backpack to tote around various fashionable gadgetry, so adding in a Macbook Pro and portable MIDI controllers was no stretch. Certainly, not having a dozen pieces of outboard gear to have to relocate or rent (not to mention rewire) was a relief to Coleman and second engineer Mike Larson, who split N*E*R*D sessions between such facilities as South Beach Studios, Midnight Blue Studios in Miami, and The Neptunes' own Hovercraft Studios in Virginia Beach (Hugo's home base for mixing elements in to the base).
With ideas no longer waiting to be actualized with bodies sitting in front of the Korgs and beats synced to the ProTools clock, the composing of Nothing involved entire rhythm and chord progressions plus sequenced instrumentation ideas (courtesy of EXS24 virtual sampler libraries) being brought to Coleman's Pro Tools HD rig to form the bed of tracks. Monitoring with the Apogee Ensemble, the team would bounce the tracks down and import them, at which time Coleman would begin to apply signature tweaks to get a characteristic snap and thump.
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Wikipedia