Not of This Earth (The Damned album)
| Not of This Earth | ||||
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| Studio album by The Damned | ||||
| Released | 11 November 1995 | |||
| Recorded | 1994 | |||
| Genre | Alternative rock, punk rock, gothic rock | |||
| Length | 42:34 | |||
| Label | Toshiba | |||
| Producer | David M Allen | |||
| The Damned chronology | ||||
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| Singles from Not of This Earth | ||||
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| Source | Rating |
| AllMusic |   |
Not of This Earth is the eighth studio album by The Damned. It is often called I'm Alright Jack & The Beanstalk.
The album has a convoluted history. Following the Final Damnation concerts in 1988, the original line-up of the band (singer Dave Vanian, guitarist Brian James, bass guitarist Captain Sensible and drummer Rat Scabies) had briefly collaborated to record the track "Prokofiev", which had a low-key USA-only release on the independent Skinnies Cut label. Over the following months, Scabies continued to collaborate with James, Kris Dollimore, guitarist with The Godfathers, on demos. James soon moved on. Scabies and Dollimore then recruited bass player Moose (formerly with New Model Army), the trio travelling to Scotland to work on further demos.
Initial attempts to persuade Vanian to join the project were unsuccessful, as the singer was dismissive of the demo songs. Scabies abandoned the material, and began working with Alan Lee Shaw (who had previously played guitar for The Rings, The Maniacs, The Physicals and Brian James' band Brains). This time the new material progressed further, Dollimore rejoined the project and a number of bassists were auditioned before Moose returned. Alternative singers were suggested (including recent Take That departed Robbie Williams, and Joe Strummer) before Vanian was contacted again. Vanian reversed his original decision and completed the new line-up as singer.
A period of rehearsal followed, and the new band debuted at The Dome in Tufnell Park under the moniker The Damagement. At this point the decision was taken to revert to The Damned banner.
The new line-up performed a BBC Radio 1 session in November 1993, and then toured the UK, U.S. and Japan. The group's recordings had built a cult following in Japan, and following excellent reception of the new material at the gigs there, Toshiba offered the group the funding to record it as an album.
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