Norton Dodge

Norton Townshend Dodge (June 15, 1927 – November 5, 2011) was an American economist who amassed one of the largest collections of Soviet-era art outside the Soviet Union.

A native Oklahoman and graduate of Deep Springs College, Dodge first traveled to the USSR in 1955, ostensibly to study tractors as part of his research for a Ph.D. from Harvard University. He completed his doctorate in 1960, with the thesis Trends in Labor Productivity in the Soviet Tractor Industry: a Case Study in Industrial Development. Johns Hopkins University Press published his research on women's roles in the Soviet economy in 1966 as Women in the Soviet Economy : Their Role in Economic, Scientific, and Technical Development. Dodge was a professor of economics at the University of Maryland, College Park for over twenty years until 1980 when he took a post at St. Mary's College in southern Maryland. He retired from St. Mary's in 1989.

It wouldn't be an exaggeration to say that Norton singlehandedly saved contemporary Russian art from total oblivion. This makes him an evangelical figure

A Sovietologist who did pioneering work on the role of women under Joseph Stalin, Dodge smuggled into the West the works of dissident artists, painters and sculptors in the former Soviet Union. He continued to acquire art and meet clandestinely with artists, often at great personal risk, till the death of dissident artist Evgeny Rukhin and the coming of perestroika. He managed to smuggle nearly 10,000 works of art from the USSR to the United States during the height of the Cold War. Dodge's role in the preservation and patronage of art disallowed by the government led to Elena Kornetchuk calling him "the Lorenzo de' Medici of Russian art." Dodge's work is detailed at length in John McPhee's The Ransom of Russian Art (1994).

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