Norman Manea

Norman Manea (born July 19, 1936) is a Jewish Romanian writer and author of short fiction, novels, and essays about the Holocaust, daily life in a communist state, and exile. He lives in the United States, where he is the Francis Flournoy Professor of European Culture and writer in residence at Bard College.

He left Romania in 1986 with a DAAD-Berlin Grant and in 1988 went to the US with a Fulbright Scholarship at the Catholic University in Washington DC.

Manea's most acclaimed book, The Hooligan's Return (2003), is an original novelistic memoir, encompassing a period of almost 80 years, from the pre-war period, through the Second World War, the communist and post-communist years to the present.

Manea has been known and praised as an international important writer since the early 1990s, and his works have been translated into more than 20 languages. He has received more than 20 awards and honors.

Born in the Burdujeni neighborhood of Suceava (Bukovina, Romania), Manea was deported as a child, in 1941, by the Romanian fascist authorities, allied with Nazi Germany, to a concentration camp in Transnistria, together with his family. He returned to Romania in 1945 with the surviving members of his family and graduated with high honors from the high school (liceu) Stefan cel Mare in his home town, Suceava. He studied engineering at the Construction Institute in Bucharest and graduated with master's degree in hydro-technique in 1959, working afterwards in planning, fieldwork and research. He has devoted himself to writing since 1974.

Manea's literary debut took place in Povestea Vorbii (1966), an avant-garde and influential magazine that appeared in the early years of cultural liberalization in communist Romania and was suppressed after six issues. Until he was forced into exile (1986) he published ten volumes of short fiction essays and novels. His work was an irritant to the authorities because of the implied and overt social-political criticism and he faced a lot of trouble with the censors and the official press. At the same time that sustained efforts were made by the cultural authorities to suppress his work, it had the support and praise of the country's most important literary critics.

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