Nordoff-Robbins

The Nordoff-Robbins approach to music therapy, also known as creative music therapy, developed from the 17-year collaboration of Paul Nordoff and Clive Robbins beginning in 1958. It was originally devised as a therapy for children with psychological, physical, or developmental disabilities. Its early development was influenced by Rudolph Steiner and anthroposophical philosophy and teachings. Nordoff-Robbins music therapy is grounded in the belief that everyone can respond to music, no matter how ill or disabled. It holds that the unique qualities of music as therapy can enhance communication, support change, and enable people to live more resourcefully and creatively. Nordoff-Robbins music therapists practice worldwide and have graduated from training programs around the world including England, the USA, Australia, Germany, New Zealand, Scotland, South Africa, and the Far East.

Nordoff Robbins is a registered UK charity that receives no statutory funding. The charity runs the Nordoff Robbins music therapy centre in London and a number of music therapy outreach projects nationwide. It also runs postgraduate training courses in music therapy and a research programme with regular public courses and conferences.

Nordoff Robbins runs the annual Silver Clef Awards that raise money for the charity.

Founded by Dr. Clive Robbins and Carol Robbins, the Nordoff-Robbins Center for Music Therapy at New York University, Steinhardt School of Culture, Education, and Human Development, opened in 1989. The Center is affiliated with New York University's Graduate Music Therapy Program. The mission of the Center has six main components:

The Nordoff-Robbins training at Molloy College, established in 2010, is the newest approved Nordoff-Robbins program in the US. It is located at The Rebecca Center for Music Therapy at Molloy College, an outpatient center serving children and adults in the Long Island and metropolitan New York area.

Both training programs include all aspects of Nordoff-Robbins work including assessment, archival coursework, clinical work, group music therapy, and clinical improvisation instruction. Trainees come from both the US and abroad.

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