Nikos Economopoulos (Νίκος Οικονομόπουλος, Nikos Oikonomopoulos, b.1953) is a Greek photographer known for his photography of the Balkans and of Greece in particular.
Born in Kalamata, Economopoulos studied law at university and worked as a journalist.
Economopoulos only started taking photographs at 25 when a friend in Italy showed him a book of the work of Henri Cartier-Bresson, which had an impact that was both instant and lasting. Cartier-Bresson "showed me a new way to see things. . . . What I saw in his work was not only geometry and composition, but a kind of ambiguity."
Economopoulos recalls that even then he did not start photography for over two years but instead bought photography books. Then he started photography:
I never photographed sunrises or made souvenir pictures of my children. For about eight or nine years I photographed at weekends and during my holidays, always in a serious way, working from morning to night.
As early as 1984, Economopoulos says, "it bothered me ideologically that Greeks and Turks were enemies", and he visited Turkey to take photographs. "No Greek at that time would go to Turkey on holiday", he writes, and his Greek friends were incredulous; but Economopoulos quickly felt at home in Turkey, where the atmosphere "was exactly the same as when I was a kid in the 1960s." (Much later, he would add that Greece and western Turkey had replaced tavernas with McDonald's, while east Turkey still preserved the values of the past.)
In 1988, Economopoulos finished work as a journalist and set off on a two-year photographic survey of Greece and Turkey.
Economopoulos was encouraged to join Magnum Photos by the Greek-American photographer Costa Manos, and became an associate member in 1990 and, after his work in Albania, Bulgaria, Romania and the former Yugoslavia, a full member in 1994. His early work won him the 1992 Mother Jones Award for Documentary Photography.
In 1993, Frank Viviano, who had first met Economopoulos in Timişoara just after the fall of Nicolae Ceauşescu, wrote that: