Nikolay Zabolotsky
| Nikolay Zabolotsky | |
|---|---|
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| Born |
May 7, 1903 Kazan, Russian Empire |
| Died | October 14, 1958 (aged 55) Moscow, RSFSR, USSR |
Nikolay Alexeyevich Zabolotsky - (Russian: Никола́й Алексе́евич Заболо́цкий; May 7, 1903 - October 14, 1958) was a Russian poet, children's writer and translator. He was a Modernist and one of the founders of the Russian avant-garde absurdist group Oberiu.
Nikolay Alekseevich Zabolotsky was born on May 7, 1903 in Kizicheskaya sloboda (now part of the city of Kazan). His early life was spent in the towns of Sernur (now in the Republic of Mari El) and Urzhum (now in the Kirov Oblast). In 1920, Zabolotsky left his family and moved to Moscow, enrolling simultaneously in the departments of medicine and philology at the Moscow University. A year later, he moved to Petrograd (now Saint Petersburg) and enrolled in the Pedagogical Institute of Saint Petersburg State University.
Zabolotsky had already begun to write poetry at this time. His formative period showed the influences of the Futurist works of Vladimir Mayakovsky and Velimir Khlebnikov, the lyrical poems of Alexander Blok and Sergei Esenin, and the art of Pavel Filonov and Marc Chagall. During this period, Zabolotsky also met his future wife, E.V. Klykova.
In 1928, Zabolotsky founded the avant-garde group Oberiu with Daniil Kharms and Alexander Vvedensky. The group's acronym stood for "The Association of Real Art" (in Russian, Объединение реального искусства). During this period, Zabolotsky began to be published. His first book of poetry, Columns (Столбцы, 1929), was a series of grotesque vignettes on the life that Vladimir Lenin's New Economic Policy (NEP) had created. It included the poem "The Signs of the Zodiac Fade" (Меркнут знаки зодиака), an absurdist lullaby that, 67 years later, in 1996, provided the words for a Russian pop hit. In 1937, Zabolotsky published his second book of poetry. This collection showed the subject matter of Zabolotsky's work moving from social concerns to elegies and nature poetry. This book is notable for its inclusion of pantheistic themes.
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