New England Conservatory
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| Type | Private |
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| Established | 1867 |
| Endowment | $89.6 million |
| Location | Boston, Massachusetts, U.S. |
| Campus | Urban |
| Enrollment | 750 |
| Website | necmusic |
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New England Conservatory of Music
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Jordan Hall
NEC's principal performance space |
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| Location | 290 Huntington Ave., Boston, Massachusetts |
| Coordinates | 42°20′26″N 71°5′13″W / 42.34056°N 71.08694°WCoordinates: 42°20′26″N 71°5′13″W / 42.34056°N 71.08694°W |
| Area | 1 acre (0.4 ha) |
| Built | 1903 |
| Architect | Wheelwright & Haven |
| Architectural style | Renaissance |
| NRHP Reference # | 80000672 |
| Added to NRHP | May 14, 1980 |
The New England Conservatory of Music (NEC) in Boston, Massachusetts, is the oldest independent school of music in the United States, and it is widely recognized as one of the country's most reputable music schools. NEC is especially known for its strings, woodwinds, and brass departments, and its prestigious chamber music program.
The conservatory, located on Huntington Avenue of the Arts near Boston Symphony Hall, is home each year to 750 students pursuing undergraduate and graduate studies along with 1400 more in its Preparatory School as well as the School of Continuing Education. At the collegiate level, NEC offers the Bachelor of Music, Master of Music, and Doctor of Musical Arts, as well as the Undergraduate Diploma, Graduate Diploma, and Artist Diploma. Also offered are five-year joint double-degree programs with Harvard University and Tufts University.
NEC is the only music school in the United States designated as a National Historic Landmark and it is a pending Boston Landmark. Its primary concert hall, Jordan Hall, hosts approximately 600 concerts each year.
In June 1853, Eben Tourjée, at the time a nineteen-year-old music teacher from Providence, Rhode Island, made his first attempt to found a music conservatory in Boston, Massachusetts. He met with a group of Boston's most influential musical leaders to discuss a school based on the conservatories of Europe. The group included John Sullivan Dwight, an influential music critic, Dr. J. Baxter Upham, president of the Harvard Musical Association, and Oliver Ditson, a prominent music publisher. The group ultimately rejected Tourjée's plans, arguing that it was a poor idea to open a conservatory amidst the nation's political and economic uncertainty that would lead up to the American Civil War.
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