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Never Catch Me

"Never Catch Me"
Single by Flying Lotus featuring Kendrick Lamar
from the album You're Dead!
Released October 6, 2014
Genre
Length 3:31
Label Warp
Writer(s)
Producer(s) Ellison
Flying Lotus singles chronology
"Putty Boy Strut"
(2012)
"Never Catch Me"
(2014)
Kendrick Lamar singles chronology
"i"
(2014)
"Never Catch Me"
(2014)
"Pay for It"
(2014)
Music video
"Never Catch Me" on YouTube

"Never Catch Me" is a song by American music producer Flying Lotus from his fifth studio album You're Dead! (2014). The song features vocals from American hip hop recording artist Kendrick Lamar. "Never Catch Me" received a nomination for Best Dance Recording at the 58th Grammy Awards.

The song features "buoyantly" jazzy, occasionally Zappa-esque production. Kendrick Lamar raps over warp-speed psychedelic soul-jazz beat. According to music critics, the track shows influences from jazz-tinged drum and bass artist Roni Size, the "gleeful" mania of OutKast’s "B.O.B", and early '90s jazz rap.

Music critics favorably reviewed "Never Catch Me". Named Best New Track by Pitchfork Media, editor Jayson Greene praised Lamar's performance, writing "his hyper-vaulting flow and embedded rhyme patterns within rhyme patterns". For its year-end list of "The 100 Best Tracks of 2014", Pitchfork ranked the song at number 23. Also commenting on Lamar, Billboard's Chris Payne wrote, "There aren't many A-list rappers who could handle a beat like this, but Kendrick is clearly one of them."Rolling Stone editor Jon Dolan gave the song three-and-a-half out of five stars, commenting "Over offhandedly lovely, warp-speed psychedelic soul-jazz, Lamar unleashes a word-mad waterfall with a worried emotional core ("analyze my demise I say I'm super-anxious", he raps)."Consequence of Sound editor Nina Corcoran wrote: "when combined with one of Lamar’s hottest verses to date (before To Pimp a Butterfly), the song explodes. But it doesn’t stop there. FlyLo shows off his talent by shifting gears post-Kendrick verse the only way you can: insane keys, double-time bass drum, and unrelenting hand claps. Eventually, it’s all swallowed up in massive swelling synth and choral hums, fading to a beautiful, passionate outro."


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