Neuroesthetics (or neuroaesthetics) is a relatively recent sub-discipline of empirical aesthetics. Empirical aesthetics takes a scientific approach to the study of aesthetic perceptions of art, music, or any object that can give rise to aesthetic judgments. Neuroesthetics received its formal definition in 2002 as the scientific study of the neural bases for the contemplation and creation of a work of art. Neuroesthetics uses neuroscience to explain and understand the aesthetic experiences at the neurological level. The topic attracts scholars from many disciplines including neuroscientists, art historians, artists, psychologists, and philosophers.
Neuroaesthetics is a field of experimental science that aims to combine (neuro-)psychological research with aesthetics by investigating the "perception, production, and response to art, as well as interactions with objects and scenes that evoke an intense feeling, often of pleasure.". The recently developed field seeks among other things the neural correlates of aesthetic judgment and creativity. It is argued that visual aesthetics, namely the capacity of assigning different degrees of beauty to certain forms, colors, or movements, is a human trait acquired after the divergence of human and other ape lineages, rendering the experience of beauty a defining characteristic of humankind.
One core question for the field is whether art or aesthetic preferences are guided by a set of universal laws or principles. Additionally, the evolutionary rationale for the formation and characteristics of these principles are sought. It is believed that identification of the brain circuitry involved in aesthetic judgments (e.g., by using through the use of brain imaging) can help pinpoint the origin of these responses.