Neoclassical darkwave
| Neoclassical dark wave | |
|---|---|
| Stylistic origins | |
| Cultural origins | Mid-1980s, Europe |
| Other topics | |
Neoclassical dark wave refers to a subgenre of dark wave music that is characterized by an ethereal atmosphere and angelic female voices but also adds strong influences from classical music. Neoclassical dark wave is distinct from the art music form known as neoclassical music, a style of classical music dating from the early twentieth century. In the context of popular music, the term 'neoclassical' is frequently used to refer to music influenced by classical (including elements from the baroque, classical, romantic, impressionistic music).
In the middle of the 1980s, the bands Dead Can Dance and In the Nursery released influential albums which essentially laid the foundations of the Neoclassical dark wave genre. In 1985 Dead Can Dance released Spleen and Ideal, which initiated the band's 'medieval European sound.' In 1987 In the Nursery released Stormhorse, which exhibited a bold, cinematic style and a symphonic/post-industrial sound lending itself to 'being envisioned as backing music for a dramatic epic.' This music, 'clearly more inspired by the classical than the rock tradition, had a melancholy, visionary and sometimes nostalgic quality'.
Neoclassical dark wave makes frequent use of formal styles associated with orchestral music as well as chamber music. Many bands utilize orchestra-derived synthesizer samples, while some better-known groups such as Elend make use of chamber orchestras and other acoustic instruments. Vocals in the genre can also vary. Some bands such as Les Secrets de Morphée make use of opera-like vocals, or in the case of Camerata Mediolanense, madrigal-like vocals. Others such as Autunna et sa Rose utilize contemporary classical chamber music vocalise together with spoken dramatic monologue.
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