Natural enemies
| Natural Enemies | |
|---|---|
| Directed by | Jeff Kanew |
| Written by | Jeff Kanew (based on the novel by Julius Horowitz) |
| Starring | Hal Holbrook |
| Narrated by | Hal Holbrook |
| Music by | Don Ellis |
| Edited by | Jeff Kanew |
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Release date
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Running time
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100 mins. |
| Country | United States |
| Language | English |
Natural Enemies is a 1979 film directed by Jeff Kanew. The film stars Hal Holbrook and Louise Fletcher as a married couple whose relationship is strained and threatened by the husband's interest in getting rid of his wife, including resorting to murder. The man, Paul (Hal Holbrook) ultimately hires five hookers to fulfill a final fantasy before killing himself and his family.
Paul Steward is a 48 year old magazine editor who in his words wishes he could rewrite his life. As the film opens he is standing by his bed in his isolated Connecticut farmhouse after a sleepless night as his alarm clock ticks saying that this is the day he will take a rifle and kill his wife, three children and then himself. In his narration, Steward professes that all men for various reasons have thought about killing their families. He mentions that he and his wife Miriam have not slept together in eight months. Miriam has attempted suicide and has a history of instability having had shock treatments. As she drives him to the train station, Steward laments that there is no longer tenderness between them and that they are only married because of the children. Steward meets a former astronaut at work who wants to write an article for him. As he interviews the man, Steward is intrigued by his description of loneliness on the moon and feels the connection to his own inner torment. Steward talks to a friend at the office about men who kill their families and what it means. His friend is a Holocaust survivor who is frustrated that so many have forgotten the horrors of Nazi Germany. Steward hires five hookers to service him in a final act of indulgence on his last day. She shares memories with them of his life with Miriam and their failing relationship. In the film's shocking conclusion a radio voiceover reveals that Paul really did follow through with his murder suicide scenario as the credits roll.
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