First edition
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Author | Richard Wright |
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Country | United States |
Language | English |
Genre | African American literature, Social protest novel |
Publisher | Harper & Brothers |
Publication date
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March 1, 1940 |
Media type | Print (hardback & paperback) |
OCLC | 61277693 |
813.52 |
Native Son (1940) is a novel written by African-American author Richard Wright. The novel tells the story of 20-year-old Bigger Thomas, an African-American youth living in utter poverty in a poor area on Chicago's South Side in the 1930s.
While not apologizing for Bigger's crimes, Wright portrays a systemic inevitability behind them. Bigger's lawyer makes the case that there is no escape from this destiny for his client or any other black American since they are the necessary product of the society that formed them and told them since birth who exactly they were supposed to be.
"No American Negro exists", James Baldwin once wrote, "who does not have his private Bigger Thomas living in his skull." Frantz Fanon discusses the feeling in his 1952 essay, L'expérience vécue du noir, or The Fact of Blackness. "In the end", writes Fanon, "Bigger Thomas acts. To put an end to his tension, he acts, he responds to the world's anticipation."
Bigger Thomas wakes up in a dark, small room at the sound of the alarm clock. He lives in one room with his brother Buddy, his sister Vera, and their mother. Suddenly, a rat appears. The room turns into a maelstrom and after a violent chase, Bigger claims the life of the animal with an iron skillet and terrorizes Vera with the dead rodent. Vera faints and Mrs. Thomas scolds Bigger, who hates his family because they suffer and he cannot do anything about it.
That evening, Bigger has to see Mr. Dalton for a new job. Bigger's family depends on him. He would like to leave his responsibilities forever but when he thinks of what to do, he only sees a blank wall. He walks to the poolroom and meets his friend, Gus. Bigger tells him that every time he thinks about whites, he feels something terrible will happen to him. They meet other friends, G.H. and Jack, and plan a robbery of the white wealth. They are all afraid of attacking and stealing from a white man, but none of them wants to admit their concerns. Before the robbery, Bigger and Jack go to the movies. They are attracted to the world of wealthy whites in the newsreel and feel strangely moved by the tom-toms and the primitive black people in the film, but they also feel that they are equal to those worlds. After the cinema, Bigger returns to the poolroom and attacks Gus violently, forcing him to lick his blade in a demeaning way to hide his own cowardice. The fight ends any chance of the robbery occurring; Bigger is obscurely conscious that he has done this intentionally.
When he finally gets the job, Bigger does not know how to behave in the large and luxurious house. Mr. Dalton and his blind wife use strange words. They try to be kind to Bigger, but they actually make him very uncomfortable; Bigger does not know what they expect of him. Then their daughter, Mary, enters the room, asks Bigger why he does not belong to a union, and calls her father a "capitalist". Bigger does not know that word and is even more confused and afraid to lose the job. After the conversation, Peggy, an Irish cook, takes Bigger to his room and tells him that the Daltons are a nice family, but that he must avoid Mary's communist friends. Bigger has never had a room for himself before.