Formation | May 2009 |
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Founder | John E. McGrath |
Headquarters | 30 Castle Arcade Cardiff South Glamorgan CF10 1BW |
Coordinates | 51°28′56.9522″N 3°10′15.4378″W / 51.482486722°N 3.170954944°WCoordinates: 51°28′56.9522″N 3°10′15.4378″W / 51.482486722°N 3.170954944°W |
Official language
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English |
National Theatre Wales is the English language national theatre company of Wales, founded by a community of theatre makers and practitioners in May 2009, with the launch of an online community social network web site.
The company proposed a national theatre of Wales with no permanent theatre building, but instead based on an accumulated body of practice, commissioning a series of new works, each initially located within a different site or community.
The company focuses on the production of work in the English language, rooted in Wales, with an international reach, and aims to build strong relationships with theatre makers, creative talents, participants and audiences in and beyond Wales.
It has a counterpart in Theatr Genedlaethol Cymru, the Welsh language national theatre of Wales, founded in 2003.
In 2016, Kully Thiarai was announced the new artistic director of National Theatre Wales.
In its inaugural season National Theatre Wales realised thirteen new productions, each located in a different part of Wales. Its founding artistic director was John McGrath. In terms of media coverage, perhaps the two most notable of these were The Persians and The Passion, both of which received critical acclaim and subsequent awards. The productions of this first season included, in chronological order:
While audiences generally rated the performance they had seen very highly, there were some concerns raised about how the company's inaugural productions had related to the sites in which they took place.
In May 2011, after a successful first year, the company launched its second season, including the productions:
In March 2013, NTW launched its third season, including the following productions:
Alongside their main season of performances, the company has also developed the National Theatre Wales Assembly programme. This is defined as a series of 'rousing performance/debate event[s] that [respond] to local or global issues in a creative setting with time during the performance for the audience to debate and react'.
In their inaugural year, each Assembly took the form of a single event running alongside each of their thirteen productions. These centered around a question specific to each location. For example, in Barmouth (For Mountain, Sand & Sea, NTW04), the question that was raised was 'What's left after the summer tides?'. While the Assembly projects were facilitated by NTW Associates, the events themselves were largely led by local community members who often performed creatively in response to the specified question; such as by writing and reciting poetry, or performing musical compositions. The Assemblies also included a space for community people to sit alongside visiting audience members and debate these questions and other relevant issues, in the hope that such conversations might continue to reverberate after NTW's production team had left the area.