National Red Cross Pageant | |
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Guy Favières and Ina Claire in the film
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Directed by | Christy Cabanne |
Produced by | National Red Cross Pageant Committee |
Edited by | Mildred Richter |
Release date
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Running time
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5 reels |
Country | United States |
Language | Silent |
National Red Cross Pageant (1917) is an all-star revue silent film, now considered a lost film, directed by Christy Cabanne.
On October 5, 1917, a live open-air pageant was held on a private estate, Rosemary Farm, near Huntington, New York. The event was mainly the brainchild of Ben Ali Haggin, famous as a stage designer. His wife appears in one of the episodes. The earnings from the live pageant itself went to the Red Cross.
Presumably the filming of the pageant was made with a patriotic fervor in the wake of the United States entry into World War I in April 1917. The proceeds from the film going to the war effort, such as the Red Cross, War Bonds, etc.
A litany of famous Broadway and motion picture stars of the period participated in the production. Lionel, Ethel, and John Barrymore all appeared in the production but not together in the same scenes as they did in Rasputin and the Empress (1932).
Vogue magazine (November 15, 1917) wrote about the production:
"In the open-air theatre at “Rosemary Farm,” the Long Island estate of Mr. Roland R. Conklin was given, early in October, a most gorgeous pageant, which proved to be, at the same time, one of the most successful of war benefits. This pageant, which consisted of episodes from the history of each of the Allied nations, and the presentation of the case of each Ally before the bar of Truth, Justice, and Liberty, was organized by actors and actresses of the American stage as their contribution to the American Red Cross. It had been long in preparation, and many noted men and women had given generously of their time and effort, --an effort which found its reward, for this single performance brought a net profit of fifty thousand dollars, and the motion picture films which will carry the pageant all over the country will afford an additional income to the Red Cross for some time to come.
The book of the pageant was written by Joseph Lindon Smith, of Boston, and Thomas Wood Stevens, director of dramatic arts at Carnegie Institute and President of the Pageantry Association of America, and the rehearsals were under the personal direction of Mr. Stevens, Daniel Frohman, and B. Iden Payne, while decorators and artists collaborated in the settings and costuming. The result was a pageant of rare beauty and dramatic worth, as well as of historic accuracy and patriotic inspiration.