The National Palace (French: Palais National) was the official residence of the President of Haiti, located in Port-au-Prince, facing Place L'Ouverture near the Champs de Mars. It was severely damaged during a devastating earthquake in 2010. The ruins of the building were demolished in 2012 and plans to rebuild the palace have not been set.
A reported total of four residences built for the country's rulers, whether the colonial governor general, emperor, or president, have occupied the site since the mid to late 18th century. At one point in the site's tumultuous history, when the chief of state was without an official home due to damage, a 19th-century French-style villa on Avenue Christophe assumed that role.
The earliest structure was the Government Palace (Palais du Gouvernement), which was constructed in the 18th century as the residence of the French governor general of Saint-Domingue. Its first Haitian inhabitant was the country's first president of Haiti, General Alexandre Pétion. The structure was deemed "nothing less than a palace", made of painted wood, with "a handsome flight of steps leading into good reception-rooms". A visitor in 1831 noted the building was "large and convenient, but not handsome. It is of one story, and situated in front of the parade, to the southeast of the town. Its entrance is up a fine flight of steps, leading through a spacious portico into the hall of audience. The floors of all the public rooms are of black and white marble. The furniture is tasteful and elegant, but not costly. This building ... was constructed with more attention to convenience than effect. The apartments are pleasantly cool." In front of the palace stood the marble tomb of President Pétion and one of his daughters.
By 1850 the former governor general's residence had become known as the Imperial Palace, since it was the residence of Emperor Faustin I of Haiti and his wife, Empress Adélina.John Bigelow, an editor at the New York Evening Post, visited the palace in 1850 and described it as "only one story, raised a few feet from the ground, and approached by four or five steps, which extend all around the edifice." He also noted aspects of the interior decoration: "The floor [of one waiting room] is white marble, the furniture in black hair-cloth and straw. On a richly carved table appeared a beautiful bronze clock, representing the arms of Haiti—namely, a palm-tree surrounded with fascines of pikes and surmounted with the Phrygian cap. The walls were decorated with two fine portraits ... One represents the celebrated French conventionist, the Abbé Grégoire, and the other the reigning Emperor of Haiti .... The latter does honor to the talent of a mulatto artist, the Baron Colbert." An adjoining salon, where "grand receptions are given," displayed "portraits of all the great men of Haiti".