Narrative Non-Fiction

Creative nonfiction (also known as literary nonfiction or narrative nonfiction) is a genre of writing that uses literary styles and techniques to create factually accurate narratives. Creative nonfiction contrasts with other nonfiction, such as academic or technical writing or journalism, which is also rooted in accurate fact, but is not written to entertain based on writing style or florid prose.

For one text to be considered creative nonfiction, it must be factually accurate, and written with attention to literary style and technique. "Ultimately, the primary goal of the creative nonfiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction." Forms within this genre include biography, autobiography, memoir, diary, travel writing, food writing, literary journalism, chronicle, personal essays and other hybridized essays. According to Vivian Gornick, "A memoir is a tale taken from life—that is, from actual, not imagined, occurrences—related by a first-person narrator who is undeniably the writer. Beyond these bare requirements it has the same responsibility as the novel or the short story: to shape a piece of experience so that it moves from a tale of private interest to one with meaning for the disinterested reader." Critic Chris Anderson really claims that the genre can be understood best by splitting it into two subcategories—the personal essay and the journalistic essay—but the genre is currently defined by its lack of established conventions.

Literary critic Barbara Lounsberry—in her book The Art of Fact—suggests four constitutive characteristics of the genre, the first of which is "Documentable subject matter chosen from the real world as opposed to 'invented' from the writer's mind". By this, she means that the topics and events discussed in the text verifiably exist in the natural world. The second characteristic is "Exhaustive research," which she claims allows writers "novel perspectives on their subjects" and "also permits them to establish the credibility of their narratives through verifiable references in their texts". The third characteristic that Lounsberry claims is crucial in defining the genre is "The scene". She stresses the importance of describing and revivifying the context of events in contrast to the typical journalistic style of objective reportage. The fourth and final feature she suggests is "Fine writing: a literary prose style". "Verifiable subject matter and exhaustive research guarantee the nonfiction side of literary nonfiction; the narrative form and structure disclose the writer's artistry; and finally, its polished language reveals that the goal all along has been literature."

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