Phan Thị Kim Phúc OOnt |
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June 8, 1972: Kim Phúc, center left, running down a road naked near Trang Bang after a South Vietnamese Air Force napalm attack (Nick Ut / The Associated Press)
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Born |
Phan Thị Kim Phúc April 2, 1963 Trang Bang, South Vietnam |
Residence | Ajax, Ontario |
Nationality | Canadian |
Other names | Kim Phúc |
Citizenship | Canadian |
Alma mater | University of Havana, Cuba |
Occupation | Author, UNESCO Goodwill Ambassador |
Known for | Being "The Girl in the Picture" (Vietnam War) |
Spouse(s) | Bui Huy Toan |
Children | Two |
Awards | Order of Ontario |
Phan Thị Kim Phúc OOnt (Vietnamese pronunciation: [faːŋ tʰɪ̂ˀ kim fúk͡p̚]; born April 2, 1963), referenced informally as the Napalm girl, is a Vietnamese-Canadian best known as the nine-year-old child depicted in the Pulitzer Prize-winning photograph taken during the Vietnam War on June 8, 1972. The well known photo, taken in Trang Bang by AP photographer Nick Ut, shows her at nine years of age running naked on a road after being severely burned on her back by a South Vietnamese napalm attack.
Kim Phúc and her family were residents of the village of Trang Bang, South Vietnam. On June 8, 1972, South Vietnamese planes dropped a napalm bomb on Trang Bang, which had been attacked and occupied by North Vietnamese forces. Kim Phúc joined a group of civilians and South Vietnamese soldiers who were fleeing from the Caodai Temple to the safety of South Vietnamese-held positions. A South Vietnamese Air Force pilot mistook the group for enemy soldiers and diverted to attack. The bombing killed two of Kim Phúc's cousins and two other villagers. Kim Phúc was badly burned and tore off her burning clothes. Associated Press photographer Nick Ut's photograph of Kim Phúc running naked amid other fleeing villagers, South Vietnamese soldiers and press photographers became one of the most haunting images of the Vietnam War. In an interview many years later, she recalled she was yelling, Nóng quá, nóng quá ("too hot, too hot") in the picture. New York Times editors were at first hesitant to consider the photo for publication because of the nudity, but eventually approved it. A cropped version of the photo—with the press photographers to the right removed—was featured on the front page of the New York Times the next day. It later earned a Pulitzer Prize and was chosen as the World Press Photo of the Year for 1973.