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Nancy Reddin Kienholz

Nancy Reddin Kienholz
Born Nancy Reddin
(1943-12-09)December 9, 1943
Los Angeles, California
Education Self-taught
Known for Photography, installation art, mixed media

Nancy Reddin Kienholz (born December 9, 1943) is an American mixed media artist based in Hope, Idaho. She works in installation art, assemblage, photography, and lenticular printing. She is most famous for her collaborations with her husband and creative partner Edward Kienholz.

Reddin was born in Los Angeles, California in 1943. Her father, Thomas Reddin, was born in 1916 in New York City and worked in Los Angeles as a police officer; he would eventually serve as chief of the Los Angeles Police Department from 1967 to 1969. Her mother, real estate broker Betty Parsons Reddin, was born in 1921 in Denver, Colorado. Nancy was the youngest of three children, born after older brothers Thomas T. Reddin (1938 – 1985) and Michael Gray Reddin (b. 1942).

Reddin was first married at age 19. She had one child from this marriage, Christine, in 1964, but the marriage ended after two years. Reddin received no formal training in art, and worked several odd jobs in Los Angeles before beginning her collaborations with Ed Kienholz in 1972.

Reddin met Ed Kienholz at a party in Los Angeles in 1972. At that time, Kienholz was already an established artist, being a founding member of the Ferus Gallery and a long-standing participant in the Los Angeles avant garde scene. He had full custody of two children, Jenny and Noah, from one of his four previous marriages, and would later legally adopt Reddin's daughter Christine.

Reddin and Kienholz began their creative collaborations the same year they met. Their first work together was The Middle Islands No. 1, now in the collection of the Louisiana Museum of Modern Art in Humlebæk, Denmark. Ed Kienholz continued to receive sole credit for these collaborations until 1981, when he publicly announced for the first time that all works after 1972 should be retroactively credited instead to "Kienholz", in collective reference to both Ed and Nancy.


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