Naná Vasconcelos
| Naná Vasconcelos | |
|---|---|
 |
|
| Background information | |
| Born |
2 August 1944 Recife, Brazil |
| Died | 9 March 2016 (aged 71) Recife, Brazil |
| Genres | Brazilian, jazz, world |
| Occupation(s) | Musician, singer, songwriter |
| Instruments | Percussion, berimbau, vocals |
| Years active | 1973–2016 |
| Associated acts | Pat Metheny |
Naná Vasconcelos (2 August 1944 – 9 March 2016) was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Egberto Gismonti, Gato Barbieri, and Milton Nascimento.
Vasconcelos was born in Recife, Brazil. Beginning from 1967 he joined many artists' works as a percussionist. Among his many collaborations, he contributed to four Jon Hassell albums from 1976 to 1980 (including Possible Musics by Brian Eno and Hassell), and later to several Pat Metheny Group works and Jan Garbarek concerts from early 1980s to early 1990s. In 1984 he appeared on the Pierre Favre album Singing Drums along with Paul Motian. He also appears on Arild Andersen's album If You Look Far Enough with Ralph Towner.
He formed a group named Codona with Don Cherry and Collin Walcott, which released three albums in 1978, 1980 and 1982.
Between 1984 and 1989, he was the Honorary President of the first samba school in the UK, the London School of Samba.www.http://londonschoolofsamba.co.uk/
In 1981 he performed at the , held in celebration of the tenth anniversary of the Creative Music Studio. In 1998, Vasconcelos contributed "Luz De Candeeiro" to the AIDS benefit compilation album Onda Sonora: Red Hot + Lisbon produced by the Red Hot Organization.
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