A Broken Frame | ||||
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Studio album by Depeche Mode | ||||
Released | 27 September 1982 | |||
Recorded | December 1981–July 1982 at Blackwing Studios in London | |||
Genre | Synthpop | |||
Length | 40:55 | |||
Label | Mute, Sire | |||
Producer | Depeche Mode and Daniel Miller | |||
Depeche Mode chronology | ||||
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Singles from A Broken Frame | ||||
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A Broken Frame | ||||
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Studio album by Marsheaux | ||||
Released | 18 January 2015 | |||
Length | 45:00 | |||
Label | Undo Records | |||
Marsheaux chronology | ||||
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A Broken Frame is the second studio album by the English electronic band Depeche Mode, released on 27 September 1982 by Mute Records. The album was written entirely by Martin Gore and recorded after the departure of Vince Clarke, who had left the band to form Yazoo with singer Alison Moyet. Alan Wilder was part of a second tour in the United Kingdom occurring prior to the release of this album, but he had not officially joined the band yet, and thus, does not appear on the album.
Writing in Smash Hits, Peter Silverton observed that A Broken Frame, in contrast to the group's early post-Vince singles, which he thought showed up "a lack of purpose", "makes a virtue of their tinkly-bonk whimsy". In contrast Melody Maker wrote that, although "ambitious and bold", "A Broken Frame – as its name suggests – marks the end of a beautiful dream", a comment on the departure of main songwriter and electronics genius Vince Clarke. Reviewer Steve Sutherland considered the songs "daft aspirations to art", the album's musical and thematic "larcenies" sounding like "puerile infatuations papering over anonymity". At the same time, Sutherland acknowledges that the group's increasing complexity "sounds less the result of exterior persuasion than an understandable, natural development", although he finally concludes that Depeche Mode remain (in contrast to Clarke's new group Yazoo) "essentially vacuous".
The comments of Noise! magazine's 'DH' (most likely Noise! contributor Dave Henderson) showed greater prescience. 'DH' said that the album "falls together well and shows we can expect a lot more from the clean cut quartet", adding "[a]t times it reaches high points far exceeding their first album."
In a retrospective review for Allmusic, Ned Raggett describes A Broken Frame as "a notably more ambitious effort than the pure pop/disco of the band's debut" with much of the album "forsaking earlier sprightliness... for more melancholy reflections about love gone wrong". He adds: "More complex arrangements and juxtaposed sounds, such as the sparkle of breaking glass in "Leave in Silence", help give this underrated album even more of an intriguing, unexpected edge."