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My Private Nation

My Private Nation
Train My Private Nation.jpg
Studio album by Train
Released June 3, 2003
Recorded Southern Tracks Recording, Atlanta, Georgia
Genre
Length 43:07
Label Columbia
Producer Brendan O'Brien
Train chronology
Drops of Jupiter
(2001)
My Private Nation
(2003)
'Live in Atlanta
(2003)
Singles from My Private Nation
  1. "Calling All Angels"
    Released: June 17, 2003
  2. "When I Look to the Sky"
    Released: 2004
  3. "Get to Me"
    Released: 2005
Professional ratings
Review scores
Source Rating
Allmusic 4.5/5 stars
Blender 2/5 stars
Entertainment Weekly B+
Chicago Sun-Times 3/4 stars
The Hartford Courant (mixed)
Los Angeles Times 2.5/4 stars
Newsday (B)
Q 3/5 stars
Rolling Stone 1/5 stars
The Washington Post (favorable)

My Private Nation is the third studio album by American rock band Train. It was released June 3, 2003. The album was reissued February 8, 2005, as a CD+DVD dual disc set. The album is now certified Platinum in the US.

Four singles were released from this album. The first, "Calling All Angels," was a top 20 hit on the Billboard Hot 100, peaking at #19, and was a huge success on the Adult Contemporary and Adult Top 40 charts. Second single "When I Look to the Sky" also hit the Top 100 and was successful in Adult Top 40 and the Adult Contemporary chart as well. Third single "Get to Me" was also a successful song on the Adult Top 40 chart, and the album as a whole has been certified platinum by the RIAA.

"I'm About to Come Alive" was covered in 2008 by country music artist David Nail, who released it as a single from his debut album of the same name.

My Private Nation received positive reviews from most music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 61, based on 6 reviews, which indicates "generally favorable reviews".Allmusic editor Thom Jurek praised the band's existential lyrics and producer Brendan O'Brien's contribution to the album, stating "O'Brien's gorgeous multi-layered production [...] chromatic shadings and the textures of contemporary psychedelia are rooted in the heart of an ambitious garage band [...] he gets the sound of how big Train actually is in a context that is as aurally beautiful musically as it is emotionally and lyrically poignant".Entertainment Weekly's Ken Tucker dubbed it Train's "finest effort yet", complimenting the band's "amusingly self-deprecating lyrics" and the songs' "surface attractiveness". Sean Daly of The Washington Post noted layers of "featherweight joy" and "Hallmark-deep, guitar-driven pop", and noted lead singer Pat Monahan's performance, "[he] throws his body into every lyric and sounds like a showoff cross between Live's Ed Kowalczyk and Journey's Steve Perry".E! Online commented that the band "sound[s] like a better Counting Crows (with a dreamier frontman) and less-challenging Wallflowers". Despite writing that "Pat Monahan's vocals can be a bit grating and Train's material sometimes strays into Black Crowes Lite range", Chicago Sun-Times writer Jeff Wisser called the album "a greatsounding collection of slight but irresistible little poprock confections", noting "a sure sense of songcraft and a well-honed pop sensibility" in the songwriting.


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