There are many styles of traditional and modern music of Ghana, due to its cosmopolitan geographic position on the African continent. The best known modern genre originating in Ghana is Highlife. For many years, Highlife was the preferred music genre until the introduction of Hiplife and many others.
The traditional musicology of Ghana may be divided geographically between the open and vast savanna country of northern Ghana inhabited by Ghanaians of Gur and Mande speaking groups; and the fertile, forested southern coastal areas, inhabited by Ghanaians speaking Kwa languages such as Akan.
During the Gold Coast era lexie, the Gold Coast was a hotbed of musical syncretism. Rhythms especially from gombe and ashiko, guitar-styles such as mainline and osibisaba, European brass bands and sea shanties, were all combined into a melting pot that became high-life.
Ghana became an independent nation in 1957. The music of Ghana often reflects a Caribbean influence, yet it still retains a flavour all its own. While pan-Ghanaian music had been developed for some time, the middle of the 20th century saw the development of distinctly Ghanaian pop music. High-life incorporated elements of swing, jazz, rock, ska and soukous. To a much lesser extent, Ghanaian musicians found success in the United States and, briefly, the United Kingdom with the surprise success of Osibisa's Afro-rock in the 1970s.