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Music Is Better Than Words

Music Is Better Than Words
Seth-macfarlane-album-cover.jpg
Studio album by Seth MacFarlane
Released September 27, 2011 (US)
August 27, 2012 (Worldwide)
Recorded December 10–13, 2010
Genre Swing, big band, vocal jazz, traditional pop
Length 51:10
Label Universal Republic
Producer Joel McNeely
Seth MacFarlane chronology
Music Is Better Than Words
(2011)
Holiday for Swing
(2014)
Singles from Music Is Better Than Words
  1. "The Night They Invented Champagne"
    Released: September 6, 2011
  2. "Nine O'Clock"
    Released: September 27, 2011
Professional ratings
Review scores
Source Rating
AllMusic 2.5/5 stars
Slant Magazine 3/5 stars
Spin 4/10

Music Is Better Than Words is the debut studio album by Seth MacFarlane. The album was produced and conducted by film and television composer Joel McNeely, who is also one of the composers of American Dad!, an animated TV series co-created by MacFarlane. On November 30, 2011, the album received nominations at the 54th Grammy Awards for Best Traditional Pop Vocal Album and Best Engineered Album, Non-Classical.

MacFarlane has performed at London's Royal Albert Hall and New York's Carnegie Hall. He received voice training from Lee and Sally Sweetland, both of whom have worked with Frank Sinatra and Barbra Streisand. MacFarlane is also a pianist and utilizes an orchestra and composers on a weekly basis to score his two current animated series, Family Guy and American Dad!.

The album includes songs from Rodgers and Hammerstein and Lerner and Loewe, among others from the 1940s, 1950s and 1960s. The track listing was chosen by MacFarlane.

When Universal Republic Records asked MacFarlane what kind of album he wanted to do, he said "a classic Sinatra-style album". The album was, in fact, recorded at Capitol Records in the same room in which Sinatra had worked. Moreover, MacFarlane recorded the vocals for Music Is Better Than Words with the microphone that Sinatra used on many of his classic albums.

In an interview with Joseph Llanes from AOL he said, "That mic is over 60 years old and you can see it. But it has a really nice, dark sound to it. It really plays a significant part on how this stuff sounds. You don't want it to sound too crisp. We did a lot in the recording of this album to make sure it was not too perfect. We recorded to analog tape as opposed to recording digitally because we wanted a little bit of a hiss."


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