The gallery entrance on Pembroke Street, Oxford
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Established | 1965 |
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Location | 30 Pembroke Street, Oxford, England |
Type | Contemporary art gallery |
Director | Paul Hobson |
Website | modernartoxford.org.uk |
Modern Art Oxford is an art gallery established in 1965 in Oxford, England. From 1965 to 2002, it was called The Museum of Modern Art, Oxford.
The gallery presents exhibitions of modern and contemporary art. It has a national and international reputation for quality of exhibitions, projects and commissions, which are supported by a learning and engagement programme with audiences in excess of 100,000 each year. Funded primarily by Arts Council England, all exhibitions and many events, activities and workshops are free for visitors.
Modern Art Oxford's premises at 30 Pembroke Street, Oxford were designed by the architect Harry Drinkwater and built in 1892 as a square room and stores for Hanley's City Brewery.
The gallery was founded by architect Trevor Green in 1965. With funding from the Arts Council of Great Britain, the gallery survived as a venue for temporary exhibitions. It was widely known as MoMA Oxford, similar to other international modern art spaces such as MoMA in New York.
It was renamed "Modern Art Oxford" in 2002. Adrian Searle of The Guardian commented, "Perhaps the museum bit was only ever there to confuse tourists and convince gowny academic Oxford that modern art was worth taking seriously."
Several transitory directors oversaw the gallery until Nicholas Serota became director in 1973, with Sandy Nairne as assistant director. David Elliott replaced Serota in 1976.
Elliott's programme focused on media that were often ignored by bigger public galleries at the time, such as photography, architecture and graphic design. Under Elliott's directorship, MoMA held photography exhibitions such as the Robert Doisneau Retrospective in 1992, which was and has remained the most popular show in the gallery's history. Elliott introduced up-and-coming artists from Africa, Asia and the Soviet Union, and at various times also held major video art exhibitions. His contributions also included numerous gallery renovations. He resigned his position in 1996 to become the director of the Moderna Museet in Stockholm, having served the longest term of any director in the history of the gallery.