The Murderers Are Among Us (UK) Murderers Among Us (US) Die Mörder sind unter uns (Germany) |
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British movie poster
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Directed by | Wolfgang Staudte |
Produced by | Deutsche Film-Aktiengesellschaft |
Written by | Wolfgang Staudte |
Starring |
Ernst Wilhelm Borchert Hildegard Knef Arno Paulsen Erna Sellmer |
Music by | Ernst Roters |
Cinematography |
Friedl Behn-Grund Eugen Klagemann |
Edited by | Hans Heinrich |
Release date
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Running time
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91 minutes |
Country | Germany |
Language | German |
Die Mörder sind unter uns, a German film known in English as Murderers Among Us in the United States or The Murderers Are Among Us in the United Kingdom was one of the first post-World War II German films and the first Trümmerfilm. It was produced in 1945 and 1946 in the Althoff-Atelier in Babelsberg and in Jofa-Ateliers in Johannisthal. It was written and directed by Wolfgang Staudte.
Berlin in 1945 after Germany's defeat in the war. The former military surgeon Dr. Hans Mertens (Ernst Wilhelm Borchert) returns home from the battlefield to find his home destroyed. He suffers from the terrible memories of the war and becomes an alcoholic. An artist and Nazi concentration camp survivor, Susanne Wallner (Hildegard Knef), finds him living in her apartment as she returns home and they become roommates and even friends. Eventually, Mertens meets his former captain Ferdinand Brückner (Arno Paulsen), who had been responsible for the shooting of a hundred civilians on Christmas Eve of 1942 in a Polish village on the Eastern Front. He is now a successful businessman, producing pots out of old Stahlhelme, the German military steel helmet. On Christmas Eve, Mertens plans to kill him, but Wallner stops him at the last minute. They decide to have Brückner put on trial then, and the two start a new life together.
The film was shot in the ruins of Berlin. Originally the film was supposed to be named Der Mann den ich töten werde (The Man I will kill) and Mertens was supposed to succeed in killing Brückner, but the script and the title were changed because the Soviets were afraid that viewers could interpret that as a call for vigilante justice.