Mukul Chandra Dey
| Mukul Dey | |
|---|---|
Dey (far left) with Rabindranath Tagore, "Kiyo-san" and another Japanese lady at Tomitaro Hara's Sankei-en in Yokohama, Japan; on 1 August 1916.
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| Native name | মুকুলচন্দ্র দে |
| Born |
Mukul Chandra Dey 23 July 1895 Sridharkhola, Bengal Presidency, British India |
| Died | 1 March 1989 (aged 93) Santiniketan, West Bengal, India |
| Nationality | Indian |
| Known for | Etching |
| Spouse(s) | Bina, née Roy |
Mukul Chandra Dey (Bengali: মুকুলচন্দ্র দে) (23 July 1895 – 1 March 1989) was one of five children of Purnashashi Devi and Kula Chandra Dey. He was a student of Rabindranath Tagore's Santiniketan and is considered as a pioneer of drypoint-etching in India. The entire family of Mukul Dey had artistic talents, the brother Manishi Dey was a well-known painter, and his two sisters, Annapura and Rani, were accomplished in arts and crafts as well.
Mukul Dey was married to his wife Bina, née Bina Roy, which was from Khanakul, Bengal. They had one daughter named Manjari, whom they affectionately called Bukuma. Manjari was later married to Shantanu Ukil, a leading painter of the Bengal School of Art.
He was the first Indian artist to travel abroad for the purpose of studying printmaking as an art. While in Japan in 1916, Mukul Dey studied under Yokoyama Taikan and Kanzan Shimomura at Tokyo and Yokohama. At Yokohama Rabindranath Tagore and Mukul Dey lived as guests of Japanese silk-merchant Tomitaro Hara at his famous residential complex Sankeien, enjoying a rare opportunity to study classical Chinese and Nihonga style Japanese paintings. Especially the masterpieces of Sesshu Toyo.
Dey received his initial training at Rabindranath Tagore's Santiniketan. He then travelled to America from Japan in 1916 to learn the technique of etching under James Blanding Sloan and Bertha Jaques in Chicago, to whom Dey was introduced by American artist Roi Partridge and his wife Imogen Cunningham. Mukul Dey remained a life-member of Chicago Society of Etchers. On his return to India in 1917, Dey concentrated on creating etchings as a fine art. He also supported himself through making portrait drawings of the rich and famous, and turned these into etchings. In 1920 Dey once again travelled abroad for the purpose of study, this time learning etching and engraving under Frank Short and Muirhead Bone. He studied at both the Slade School of Fine Art and the Royal College of Art in London. At Slade School of Art Mukul Dey was a student of Professor Henry Tonks.
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