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Moulty (song)

"Moulty"
Single by The Barbarians
B-side "I'll Keep on Seeing You"
Released February 1966
Format 7" single
Recorded 1966
Length 2:37
Label Laurie
Songwriter(s) Doug Morris, Barbara Baer, Eliot Greenberg, Robert Schwartz, Victor Moulton
Producer(s) Doug Morris
The Barbarians singles chronology
"What the New Breed Say"
(1965)
"Moulty"
(1966)
"What the New Breed Say"
(1965)
"Moulty"
(1966)

"Moulty" is a song by the American band The Barbarians, and was released in 1966 on Laurie Records. It was written by Doug Morris, Barbara Baer, Eliot Greenberg, Robert Schwartz, and Victor "Moulty" Moulton, and was also produced by Morris. The lyrics refer to Moulton's loss of his left hand, and the feelings of estrangement that followed. The song was released as a single, and gave The Barbarians their second and final hit on the Billboard Hot 100.

Victor "Moulty" Moulton, the subject of the song, was drummer of The Barbarians, despite the impairment of his left hand. Moulton critically damaged the hand when, at the age of 14, a homemade pipe bomb prematurely detonated while it was in Moulton's grip. The hand was amputated, and subsequently replaced with a metallic prosthetic device that Moulton could attach a drum stick to. When Moulton formed the group in 1964, his disability added an unusual allure to the band's rebellious image that was, in part, responsible for their popularity after their appearance on The T.A.M.I. Show alongside The Rolling Stones, Lesley Gore, and The Supremes.

Moulton commenced recording of the song in early 1966 in New York City while the rest of the band was situated in Boston. For the recording session, Moulton was backed by the Hawks, later known as The Band, who were currently working as Bob Dylan's support group. The lyrics were rearranged by Moulton to include the spoken intro section of the song. The composition opens with Moulton melodramatically reflecting on the struggle of losing his left hand, while the backing vocalists encouraged "Moulty" to "Don't turn away". It continues with "Moulty" achieving his dream, and the song shifts into a ballad-esque structure in the third verse when "Moulty" realizes he is still lacking love. A chorus ensues and fades out, leaving the question of whether or not "Moulty" managed to find his love. With the uncertain conclusion, a mystique remained around Moulton, which played a role in his enigmatic persona.


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