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More Than Ever (Blood Sweat & Tears album)

More Than Ever
Blood, Sweat And Tears More Than Ever.jpeg
Studio album by Blood, Sweat & Tears
Released July 1976
Genre Rock, jazz
Label Columbia
Producer Bob James
Blood, Sweat & Tears chronology
In Concert
(1976)In Concert1976
More Than Ever
(1976)
Brand New Day
(1977)Brand New Day1977
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars

More Than Ever is an album by the band Blood, Sweat & Tears, released in July 1976. This was the band's ninth studio album and their last for Columbia Records. This album peaked at Number 165 on the Billboard album charts.

The personnel changes in the band continued with Mike Stern replacing Georg Wadenius on electric guitar, Danny Trifan replacing Ron McClure on bass, and Forest Buchtell replacing Joe Giorgianni on trumpet. Percussionist Don Alias left the band, and Mike Corbett was added on background vocals. Famed bassist Jaco Pastorius, who had been discovered and signed to Epic Records by Bobby Colomby, was briefly in the band around this time but did not appear on the album.

More Than Ever was produced by Bob James who brought in such legendary session players as Steve Khan on guitar, Richard Tee on keyboards, Eric Gale on guitar, Hugh McCracken on guitar, and Eric Weissberg on banjo and dobro along with vocalist Patti Austin on background vocals to complement the regular BS&T lineup.

The album had an unusual cover design, simply presenting a photo of the vinyl record itself.

More Than Ever was re-released on CD in 2003 on the Wounded Bird label along with Sony Music.

The Allmusic review by Bruce Eder says it all: "For the first time since its second album, the group -- with only drummer Bobby Colomby left from the original lineup and Bob James producing -- sounds bold, enthused, and fully positive in its approach. The sound is a little more R&B oriented and less rocking than the older lineup, which actually makes a better fit overall -- Thomas' singing style is a bit dated, from a tradition of '60s blue-eyed soul that seems fine, but which was really out-of-place amid the disco boom of the second half of the '70s."


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