Monsters, Inc. | |
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Theatrical release poster
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Directed by | Pete Docter |
Produced by | Darla K. Anderson |
Screenplay by |
Andrew Stanton Dan Gerson |
Story by | Pete Docter Jill Culton Jeff Pidgeon Ralph Eggleston |
Starring |
John Goodman Billy Crystal Mary Gibbs Steve Buscemi James Coburn Jennifer Tilly |
Music by | Randy Newman |
Edited by | Robert Grahamjones Jim Stewart |
Production
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Distributed by | Buena Vista Pictures |
Release date
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Running time
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92 minutes |
Country | United States |
Language | English |
Budget | $115 million |
Box office | $577.4 million |
Monsters, Inc. | |||||
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Soundtrack album by Randy Newman | |||||
Released | October 23, 2001 | ||||
Recorded | 2000–2001 | ||||
Genre | Score | ||||
Length | 1:00:30 | ||||
Label | Walt Disney | ||||
Randy Newman chronology | |||||
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Pixar soundtrack chronology | |||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Empire | |
Filmtracks.com | |
Movie Wave | |
Soundtrack.net |
Monsters, Inc. is a 2001 American computer-animated comedy film produced by Pixar Animation Studios and released by Walt Disney Pictures. Featuring the voices of John Goodman, Billy Crystal, Steve Buscemi, James Coburn, and Jennifer Tilly, the film was directed by Pete Docter at his directorial debut, co-directed by Lee Unkrich and David Silverman, and executive produced by John Lasseter and Andrew Stanton.
The film centers on two monsters employed at the titular Monsters, Inc.: top scarer James P. "Sulley" Sullivan (John Goodman) and his one-eyed partner and best friend Mike Wazowski (Billy Crystal). Monsters, Inc. employees generate their city's power by targeting and scaring children, but they are themselves afraid that the children may contaminate them; when one child enters Monstropolis, Mike and Sulley must return her.
Docter began developing the film in 1996 and wrote the story with Jill Culton, Jeff Pidgeon, and Ralph Eggleston. Fellow Pixar director Andrew Stanton wrote the screenplay with screenwriter Daniel Gerson. The characters went through many incarnations over the film's five-year production process. The technical team and animators found new ways to render fur and cloth realistically for the film. Randy Newman, who composed the music for Pixar's three prior films, returned to compose its fourth.