Monomania | ||||
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Studio album by Deerhunter | ||||
Released | May 7, 2013 | |||
Recorded | January–February 2013, | |||
Studio | Rare Book Room (Brooklyn, New York) |
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Genre | Garage rock | |||
Length | 43:21 | |||
Label | 4AD | |||
Producer | Nicolas Vernhes | |||
Deerhunter chronology | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 81/100 |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | B+ |
Entertainment Weekly | B+ |
The Guardian | |
MSN Music | A |
NME | 8/10 |
Pitchfork Media | 8.3/10 |
Q | |
Rolling Stone | |
Spin | 9/10 |
Monomania is the sixth studio album by American indie rock band Deerhunter, released on May 7, 2013 on 4AD. Produced by both the band and Nicolas Vernhes, the album is the first to feature bassist Josh McKay, and is the only studio album to feature guitarist Frankie Broyles.
The album received universal acclaim upon its release. Monomania reached number seventy-three on the UK Albums Chart.
The vinyl LP version of the record was pressed by United Record Pressing in Nashville, TN.
The album's title is a reference to lead singer Bradford Cox’s obsessive traits. In 2015, Cox reflected on his life while writing, recording and promoting Monomania, stating: I was actually going through a deep period of passionate rage. [...] That was what I was like at that time: a mixed-up wreck. Monomania was a very hateful record, and I mistreated a lot of people around me. I was in a lot of pain and very lonely. But there was also a big sense of humor; I never lose my sense of humor."
The album was recorded at Rare Book Room Studio in Brooklyn, with producer Nicolas Vernhes, who also produced Microcastle and Rainwater Cassette Exchange.
The album's title is a reference to lead singer Bradford Cox’s obsessive traits. According to Lockett Pundt and Cox, Pierre Schaeffer, Steve Reich, and Bo Diddley were major influences on the album, along with the artists such as Ramones and Ricky Nelson. Bradford Cox noted, "I can't hold a match to that stuff and I never will. I'll never be black, I'll never have that experience. That's what's missing from indie culture, though: Bo Diddley and blackness. There's a struggle that exists in black music and hillbilly music from a certain era. Old music resonates with me, new music doesn't." Cox also described the album as "a very avant-garde rock & roll record".