Mold Cape in the British Museum
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Material | Gold |
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Created | 1900–1600 BC |
Discovered | Mold, Wales in 1833 |
Present location | British Museum |
The Mold cape is a solid sheet-gold object dating from about 1900–1600 BC in the European Bronze Age. It was found at Mold in Flintshire, Wales, in 1833.
The cape is thought to have formed part of a ceremonial dress, perhaps with religious connections. It is housed at the British Museum in London.
The gold cape was found in 1833 by workmen (accounts vary: either during the filling of a gravel pit or while they were quarrying for stone).
The cape was within a Bronze Age burial mound in a field named Bryn yr Ellyllon, the Fairies' or Goblins' Hill. The gold cape had been placed on the body of a person who was interred in a rough cist (stone-lined grave) within a burial mound. The preserved remains of the skeleton were fragmentary, and the cape was badly crushed. An estimated 200–300 amber beads, in rows, were on the cape originally, but only a single bead survives at the British Museum. Also associated with the cape were remains of coarse cloth and 16 fragments of sheet bronze which are likely to have been the backing for the gold: in places the gold was riveted onto the bronze sheeting with bronze rivets. There also were two gold 'straps' among the artefacts found. An urn with large quantities of burnt bone and ash was 0.6–0.9 m from the grave.
The cape's breadth is 458 mm, just over 18 inches. It was designed to fit someone of a very slight build and although the gender of the person buried in this grave remains unclear, the associated finds are likely, by comparison with similar contemporary graves discovered, to be those accompanying the burial of a woman.
The cape is considered to be one of the most spectacular examples of prehistoric sheet-gold working yet discovered. It is of particular interest as both its form and its design are unparalleled. The cape is oval in shape and would cover the shoulders, upper arms, and upper chest of the person wearing it, being higher at the back and lower in the front.
The craftsmanship with which the cape was constructed is exceptional. The object was beaten out of a single ingot of gold, a task which would have taken considerable time and skill, and was then intensely decorated with repoussé concentric rings of ribs and bosses. The decoration almost totally fills the object's outer surface, so that very little "plain" gold remains. It has been suggested that this decorative motif may mimic multiple strings of beads and/or the folds of cloth.