Minton's Playhouse
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Minton's Playhouse
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Mintons on the National Register of Historic Places
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| Location | 206—210 W. One Hundred Eighteenth St., New York City |
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| Coordinates | 40°48′17″N 73°57′12″W / 40.80472°N 73.95333°WCoordinates: 40°48′17″N 73°57′12″W / 40.80472°N 73.95333°W |
| Area | less than one acre |
| Architectural style | Late 19th And 20th Century Revivals, Second Renaissance Revival |
| NRHP Reference # | 85002423 |
| Added to NRHP | September 18, 1985 |
Minton's Playhouse is a jazz club and bar located on the first floor of the Cecil Hotel at 210 West 118th Street in Harlem and is a registered trademark of Housing and Services, Inc. a New York City nonprofit provider of supportive housing. The door to the actual club itself is at 206 West 118th Street where there is a small plaque. Minton's was founded by tenor saxophonist Henry Minton in 1938. Minton's is famous for its role in the development of modern jazz, also known as bebop, where in its jam sessions in the early 1940s, Thelonious Monk, Kenny Clarke, Charlie Christian, Charlie Parker and Dizzy Gillespie, pioneered the new music. Minton's thrived for three decades until its decline near the end of the 1960s, and its eventual closing in 1974. After being shuttered for more than 30 years, the newly remodeled club reopened its doors on May 19, 2006, under the name Uptown Lounge at Minton's Playhouse. However, the reopened club was closed again in 2010. Remodeling began again in 2012.
Minton’s original owner, Henry Minton, was well known in Harlem for being the first ever black delegate to the American Federation of Musicians Local 802. In addition, he had been the manager of the Rhythm Club, in Harlem, in the early part of the 1930s, a place where Louis Armstrong, Fats Waller, James P. Johnson, and Earl Hines frequented. The novelist Ralph Ellison later wrote that because of his union background and music business experience, Minton was aware of the economic and artistic needs of jazz musicians in New York in the late 1930s. Minton's popularity and his penchant for generosity with food and loans, made his club a favorite hang-out for musicians.
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