Inverse | major third |
---|---|
Name | |
Other names | minor hexachord, hexachordon minus, lesser hexachord |
Abbreviation | m6 |
Size | |
Semitones | 8 |
Interval class | 4 |
Just interval | 8:5, 11:7, or 51:32 |
Cents | |
Equal temperament | 800 |
24 equal temperament | 800 |
Just intonation | 814, 782, or 807 |
Inverse | supermajor third |
---|---|
Name | |
Abbreviation | m6 |
Size | |
Semitones | 8 |
Interval class | 4 |
Just interval | 14:9 or 63:40 |
Cents | |
Equal temperament | 800 |
24 equal temperament | 750 |
Just intonation | 765 or 786 |
In classical music from Western culture, a sixth is a musical interval encompassing six staff positions (see Interval number for more details), and the minor sixth is one of two commonly occurring sixths. It is qualified as minor because it is the smaller of the two: the minor sixth spans eight semitones, the major sixth nine. For example, the interval from A to F is a minor sixth, as the note F lies eight semitones above A, and there are six staff positions from A to F. Diminished and augmented sixths span the same number of staff positions, but consist of a different number of semitones (seven and ten).
In equal temperament, the minor sixth is enharmonically equivalent to the augmented fifth. It occurs in first inversion major and dominant seventh chords and second inversion minor chords.
A minor sixth in just intonation most often corresponds to a pitch ratio of 8:5 or 1.6:1 ( play ) of 814 cents; in 12-tone equal temperament, a minor sixth is equal to eight semitones, a ratio of 22/3:1 (about 1.587), or 800 cents, 13.7 cents smaller. The ratios of both major and minor sixths are corresponding numbers of the Fibonacci sequence, 5 and 8 for a minor sixth and 3 and 5 for a major.