Milonguero

A milonguero is a person who spends time dancing social tango. The word comes from milonga, an Argentine word meaning tango dance hall or tango dance event.

The term was used from the 1870s to mark a man who spent much of his time dancing tango of any style. Since the early 20th century the term referred to a man immersed in the tango culture specific to Buenos Aires. A milonguero frequented dance halls, dancing to the music of tango, milonga and waltz. Such a man was "raised and groomed on tango" and his "reverence for the dance and its traditions" strongly influenced the way he danced. The term milonguero was used by others to distinguish a skilled and courteous dancer, not a term for oneself. After the 1955 coup ousted Juan Perón in Argentina, the tango was repressed, a sort of "dark age" for tango dancing, ending in 1983.

Until the beginning of the 1980s milonguero also had a strong negative connotation, signaling a womanizer who typically had no job. Such womanizers would typically visit downtown milongas and cafes where anonymity was more prevalent than in the clubs of the barrios; the crowded circumstances and the greater intimacy allowed by the greater anonymity fostered a close-embrace style dancing, which was the motivation of Susana Miller to use the term milonguero to denote the close embrace style dancing prevalent in downtown milongas.

The term milonguero changed to mean one who had been a frequent dancer during tango's Golden Age of the 1930s and '40s and it also lost its negative connotations. Due to the loss of the negative connotations there are more dancers who would nowadays be considered milongueros - such as many respected and skillful salon style dancers of the barrios - and hence the identification of the dance of milongueros with milonguero-style tango is no longer apt.

Though there are many individual differences between men, milongueros generally dress conservatively, wearing a sport coat or suit, dress shirt and often a tie. They do not attempt to converse with their partner during a song. They are keenly aware of others on the dance floor and they maintain the "line of dance", a stately progression of all the couples moving counter-clockwise around the dance floor. The milonguero does not bump into or kick other dancers; he employs mostly circular movements to keep an inward focus for himself and his partner, and to allow for small adornments made with the foot. Above all, he interprets the mood of the music with his dancing. He cherishes each musical pause as it comes, and he executes movements that coincide with musical phrases.

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