Mikhail Nesterov
| Mikhail Vasilyevich Nesterov | |
|---|---|
Portrait by Viktor Vasnetsov (1926)
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| Born | 31 May 1862 Ufa, Russian Empire |
| Died | 18 October 1942 (aged 80) Moscow, Russian SFSR, Soviet Union |
| Education | Moscow School of Painting, Sculpture and Architecture, Imperial Academy of Arts |
| Known for | Painter |
| Movement | Russian Symbolism |
| Patron(s) | Savva Mamontov |
Mikhail Vasilyevich Nesterov (Russian: Михаи́л Васи́льевич Не́стеров; 31 May [O.S. 19 May] 1862, Ufa – 18 October 1942, Moscow) was a Russian and Soviet painter; associated with the Peredvizhniki and Mir Iskusstva. He was one of the first exponents of Symbolist art in Russia.
He was born to a strongly patriarchal merchant family. His father was a draper and haberdasher, but always had a strong interest in history and literature. As a result, he was sympathetic to his son's desire to be an artist, but insisted that he acquire practical skills first and, in 1874, he was sent to Moscow where he enrolled at the Voskresensky Realschule.
In 1877, his counselors suggested that he transfer to the Moscow School of Painting, Sculpture and Architecture, where he studied with Pavel Sorokin, Illarion Pryanishnikov and Vasily Perov, who was his favorite teacher. In 1879, he began to participate in the school's exhibitions. Two years later, he entered the Imperial Academy of Fine Arts, where he worked with Pavel Chistyakov. He was disappointed at the teaching there and returned to Moscow, only to find Perov on his deathbed, so he took lessons from Alexei Savrasov.
After a brief stay in Ufa, where he met his future wife, Maria, he returned to Moscow and studied with Vladimir Makovsky. While creating a series of historical paintings, he supported himself doing illustrations for magazines and books published by Alexei Stupin, including a collection of fairy tales by Pushkin. In 1885, he was awarded the title "Free Artist" and married, against his parent's wishes. The following year, his wife died after giving birth to his daughter, Olga. Several of his works from this period feature his wife's image.
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