Mike DeCarlo | |
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Born | March 14, 1957 |
Nationality | American |
Area(s) | Inker |
Notable works
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"Batman: A Death in the Family" Legion of Super-Heroes Tales of the Teen Titans |
http://www.mikedecarloart.com/ |
Mike DeCarlo (born March 14, 1957) is an American comic book artist. He is best known for his work for DC Comics in the 1980s inking such artists as George Pérez, Greg LaRocque, Keith Giffen, and Jim Aparo.
DeCarlo has worked on such diverse titles as Atari Force, Cartoon Network Block Party, Crisis on Infinite Earths, Fantastic Four, and Simpsons Comics as well as adaptations of the Warner Bros. stable of cartoons including Looney Tunes, Animaniacs, Pinky and the Brain and Superman & Bugs Bunny.
Mike DeCarlo entered the comics industry as an assistant to Dick Giordano. When Giordano became an editor at DC Comics in 1980, DeCarlo became an inker in his own right. DeCarlo inked the penciled artwork of George Pérez on "The Judas Contract" storyarc in Tales of the Teen Titans with Giordano. Pérez critiqued their work in a 2003 interview stating that "While not perfect in getting the same feel [as Pérez inking the art himself], they were closer as far as the crispness that the characters needed." He worked on the Legion of Super-Heroes from 1986 to 1988 first with Greg LaRocque and then briefly with Keith Giffen. As inker of the Batman comic book series, DeCarlo worked on several key storylines including the "Ten Nights of The Beast" which introduced the KGBeast; "A Death in the Family" which featured the death of the second Robin Jason Todd; and "A Lonely Place of Dying" which saw Tim Drake become the third Robin. In 2014, critic Greg Burgas of Comic Book Resources reviewed DeCarlo's inking of Jim Aparo's work on the final chapter of "Ten Nights of The Beast" commenting that "inkers who don’t add roughness to Aparo’s line work aren’t doing him any favors. DeCarlo is better than [Bill] Wray, but he still seems to keep Aparo’s work too smooth." He later adds that "I love the first image, with Batman and the Beast fighting in the sewer and the artists somehow putting their shadows on the wall. I don’t know if Aparo drew this in and then DeCarlo inked it, or if DeCarlo just inked it without the benefit of pencils. It’s quite cool, though."