Michael Westmore
| Michael Westmore | |
|---|---|
| Born |
Michael George Westmore I March 22, 1938 Los Angeles, California |
| Alma mater | University of California-Santa Barbara |
| Occupation | Make-up artist |
| Years active | 1961–2005 |
| Known for | Star Trek: The Next Generation, Deep Space Nine, Voyager and Enterprise |
| Children | McKenzie Westmore |
| Parent(s) | Monte Westmore |
| Relatives | Westmore family |
| Awards | 1985 Academy Award for Make-up 9x Emmy Awards |
Michael George Westmore I (born March 22, 1938) is an American make-up artist best known for his work in various Star Trek productions, winning nine Emmy Awards, and is a member of the Westmore family. He won the Academy Award for Make-up in 1985 for his work on the film Mask. His career began at Universal Studios in 1961, and spanned four decades, including working for the CIA creating make-up kits for spies overseas.
Born in Los Angeles, California, Westmore is the son of Monte Westmore, husband of model Marion Bergeson Westmore, father of McKenzie Westmore, Michele Westmore Meeks, and Michael Westmore II, and brother of Marvin Westmore, and Monty Westmore, who are also make-up artists. His family is heavily involved in the Hollywood make-up business. In 1917 his grandfather George Westmore had created the first studio make-up department. Michael's father was a make-up artist for Gone with the Wind and his uncle was Bud Westmore, famous for co-creating the creature in Creature from the Black Lagoon.
He is a 1961 graduate of the University of California-Santa Barbara and a member of Lambda Chi Alpha Fraternity. He began working for Universal Studios in 1961 as a make-up artist, and was promoted after three years to Assistant Department Head of Make-Up. He apprenticed to John Chambers on the 1963 film The List of Adrian Messenger. Some of Westmore's earliest roles at Universal included The Munsters and Land of the Lost. He became a freelance make-up artist during the 1970s and 80s, working on films such as Rocky and Raging Bull. For Raging Bull, Westmore designed the prosthetic noses which Robert De Niro wore throughout the film, and the make up which simulated bleeding though tubes placed under fake skin. One of the more unusual effects used on the boxing film was a special effect which showed a nose breaking from a punch on screen. He worked with Tom Burman on make-up sets for the Central Intelligence Agency for operatives overseas to change identities. A set created by the pair sold for $20,000 in 2011.
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