Micah Lexier

Micah Lexier (born 1960 in Winnipeg, Manitoba) is a Canadian artist and curator. He was educated at the University of Manitoba (BFA, 1982) and the Nova Scotia College of Art and Design (MFA, 1984). He is represented by Birch Contemporary (Toronto). He lives and works in Toronto. In 2015 he was awarded the Governor Generals Award for excellence in the Visual Arts.

Lexier combines conceptual art with sculpture. Conceptualism requires that an idea precedes the means used to express it. Lexier expresses the concepts he has developed through sculptural means, using ready-mades or materials prepared using industrial processes.

In a work in the collection of the Art Gallery of Ontario A work of art in the form of a quantity of coins equal to the number of months of the statistical life expectancy of a child born January 6, 1995 (1995), Lexier creates a portrait of a person using coins. A series of coins are neatly ordered in a box; in an adjacent box, loose coins sit in a gradually growing pile. Every month, another coin gets transferred from the first box to the other. Together, the 906 coins represent the life of an individual; the transfer of coins notates the passage of time. This work embodies a number of themes that are central to Lexier’s art practice: timelines; life span; mortality; and the ordering of things and their undoing.

Lexier works in series; starting with a simple idea, he explores it in a systematic fashion. Series by Lexier include, Book Sculptures (1993), A Minute of My Time (1996-2000), Arrows (started 2004), Revelations (started 2005), and various collaborations with other artists and individuals. Lexier’s interest in ephemera adds another dimension to his practice. He makes posters, exhibition invites, t-shirts, and other art multiples to create parallel lives for his artworks, extending his art practice out of the gallery and into the world. In 2010, the Press of the Nova Scotia College of Art and Design published, I’m Thinking of a Number, a 30-year survey which documents this aspect of his practice.

David: Then & Now (2005) is an example of how Lexier extends ideas by reworking them. It consists of adjacent portraits of people named ‘David’. The portraits are of the same person taken 10 years apart, first in 1993 and then a decade later. In keeping with Lexier’s overall approach to artmaking, the work’s emotional tone is muted, yet it dramatizes the universal fact of aging. A temporary public artwork, the project was seen on bus shelters throughout Winnipeg. The work is a follow-up to an earlier piece by Lexier, A Portrait of David (1994), which presents 75 portraits displayed on a freestanding wall. Each portrait is of a male named ‘David’, arranged chronologically from age one through 75.

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