The MexiCali Biennial is a contemporary visual arts organization which focuses on the border between California and Mexico as a region of aesthetic production. The organization is migratory in nature and showcases exhibitions on both sides of the border. The MexiCali Biennial was originally started as a project critiquing the proliferation of international and regional art biennials and as a result may be shown at any time and at any location. The inaugural exhibition was in 2006 and subsequent programming occurred in the years spanning 2009 through 2010 and again in 2013.
The MexiCali Biennial was conceived in 2006 by artists Ed Gomez and Luis G. Hernandez. Curator Pilar Tompkins-Rivas was a founding member and curator of the inaugural exhibitions. The 2006 round of programming first took place at La Casa de la Tia Tina, an artist-run space on the border town of Mexicali, MX before traveling to Chavez Studios in East Los Angeles. Due to the nature of the biennial's programming, the second biennial didn't occur until 2009 through 2010, during which time it took place in four different locations in both Mexico and California. Dr. Amy Pederson Converse joined the board and served as co-curator for the 2009-2013 programming. Pederson Converse was instrumental in conceptualizing the theme for the third MexiCali Biennial, which was cannibalism, specifically in regard to philosopher Cătălin Avramescu's studies of cultural cannibalism and its relationship to colonialism.
The 2006 MexiCali Biennial started in the border town of Mexicali, MX, at alternative art and music space La Casa de la Tia Tina before traveling to Chavez Studios in Los Angeles. It included installations and border-crossing interventions by Los Angeles and Mexicali based artists. 2006 California based artists exhibiting in Mexicali:
2006 Mexico based artists exhibiting in East Los Angeles:
Musical guests included Lysa Flores, Olin, DJ Santos, DJ Chips and DJ Magallanes. MexiCali Biennial 2006 curators were Ed Gomez, Luis G. Hernandez and Pilar Tompkins-Rivas.
The second round of programming for the MexiCali Biennial occurred 3 years after the first, spanning two years in four sites in Mexico and California. Venues in Mexico were Casa de Tunel in Tijuana and Mexicali Rose and Sala de Arte UABC in Mexicali. The exhibition culminated in a showcase at OTIS Ben Maltz Gallery in Los Angeles. As with 2006 programming, border interventions, site specific performances and installations occurred along the US/Mexico border, including a soccer game by the artist collective Homeless. MB 09/10 artists: