Memorial Art Gallery
South facade of the main gallery
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| Established | 1913 |
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| Location | 500 University Ave Rochester, NY 14607 |
| Coordinates | 43°09′26″N 77°35′17″W / 43.157222°N 77.588056°W |
| Type | Art museum |
| Collection size | 11,000 works of art |
| Visitors | 229,985 (2010 - 2011) |
| Director | Jonathan P. Binstock |
| Public transit access | Stop #3 (University Avenue/Prince Street) RTS route 18/19 - 18X/19X University |
| Website | http://mag.rochester.edu/ |
The Memorial Art Gallery is the civic art museum of Rochester, New York. Founded in 1913, it is part of the University of Rochester and occupies the southern half of the University's former Prince Street campus. It is the focal point of fine arts activity in the region and hosts the biennial Rochester-Finger Lakes Exhibition and the annual Clothesline Festival.
The Gallery is a memorial to James George Averell, a grandson of Hiram Sibley. After Averell died at age 26, his mother, Emily S. Watson (by then the wife of James Sibley Watson), spent several years seeking a way to publicly commemorate him. Meanwhile, Rush Rhees, president of the University of Rochester, had been looking for benefactors to help him add to the University's campus, then located on Prince Street in the City of Rochester. Hiram Sibley had some 30 years previous funded the construction of the University's library which displayed part of Sibley's art collection on its upper floor for a time, but Rhees wanted to construct a dedicated art gallery. The Rochester Art Club, which was the focal point for art enthusiasts of the area and which had exhibited and taught at art venues of the time (Reynolds Arcade, the Bevier Memorial Building, and the Powers Block) supported the creation of the gallery. Rhees assembled a board of managers, including the Art Club's president, George L. Herdle, in November 1912 and by the eighth of the following October, presided over the Gallery's opening. The inaugural exhibition consisted of paintings from dealers for sale, with the Gallery taking a 10% commission. The most wealthy families immediately gifted their purchases to the gallery to start its permanent collection.
Exhibits in the early years of the Gallery consisted of loans from the private collections of George Eastman, the Sibleys, the Watsons, and other prominent Rochester families. Herdle labored mightily to keep the Gallery's walls filled with new works until his untimely death in 1922 at which point his daughter and University of Rochester graduate, Gertrude L. Herdle began what would become a 40-year career as the museum's director. Another daughter, Isabel C. Herdle, served in various curatorial roles beginning in 1932 after schooling at Radcliffe College, the Courtauld Institute of Art, and the Royal Institute of Technology in Stockholm and stints at the Fogg and the de Young museums.
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