Melodeath
| Melodic death metal | |
|---|---|
| Stylistic origins | |
| Cultural origins | Early to mid-1990s, Scandinavia (particularly Gothenburg, Sweden) and United Kingdom |
| Typical instruments | |
| Fusion genres | |
| Melodic metalcore | |
| Regional scenes | |
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| Other topics | |
Melodic death metal (also referred to as melodeath) is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal. The style originated and developed in Sweden (pioneered by At the Gates, Dark Tranquillity and In Flames) and the United Kingdom (pioneered by Carcass) during the early and mid-1990s. The Swedish death metal scene did much to popularise the style, soon centring in the "Gothenburg metal" scene.
Melodic death metal combines aspects of traditional heavy metal ranging as far as the new wave of British heavy metal, in particular fast riffing and harmonic guitar lines, with the heavily distorted guitars, fast double-bass drum patterns and occasional blast beats of death metal. The vocal style typically combines harsh screaming, sung vocals, and death growls, some artists emphasizing one of these techniques over the rest.
Much of the origin and popularity of melodic death metal can be attributed to the bands At the Gates, In Flames, and Dark Tranquillity, whose early 1990s music releases defined the genre and laid the foundation for the Gothenburg metal scene. Writer Gary Sharpe-Young considered the Gothenburg scene the commercial salvation of death metal: "Gothenburg became the new Tampa and the genre received a new lease on life." Another pioneer was the British band Carcass, which performed grindcore on its first two releases but morphed into death metal and an increasingly melodic style on the Necroticism – Descanting the Insalubrious (1991) and Heartwork (1993).
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