Melchior Lengyel
| Melchior Lengyel | |
|---|---|
 |
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| Born | Lebovics Menyhért 12 January 1880 Balmazújváros, Hungary |
| Died | 23 October 1974 (aged 94) Budapest, Hungary |
| Occupation | Writer, playwright, screenwriter |
| Nationality | Hungarian Jew |
| Period | 1907–1965 |
| Genre | Drama, film, literature |
Melchior Lengyel (12 January 1880 – 23 October 1974) was a Hungarian Jewish writer, dramatist, and film screenwriter.
Lengyel was born Lebovics Menyhért in Balmazújváros, Hungary. He started his career as a journalist. He worked first in Kassa (Košice), then later in Budapest.
His first play, A nagy fejedelem (The Great Prince) was performed by the Thalia Company in 1907. The Hungarian National Theatre performed his next drama A hálás utókor (The Grateful Posterity) in 1908 for which he received the Vojnits Award from the Hungarian Academy of Sciences, given every year for the best play. Taifun (Typhoon), one of his plays, written in 1909, became a worldwide success and is still performed today. It was adapted to the screen in the United States in 1914.
His articles were often published in Nyugat (West), the most important Hungarian literary journal in the first half of the 20th century. During World War I, he was sent to Switzerland by the Hungarian daily newspaper Az Est (The Evening) as a reporter. His pacifist articles and other publications written in 1918 were also published in German and French papers and were collected in a book called Egyszerű gondolatok (Simple Thoughts).
His story "The Miraculous Mandarin" (in Hungarian: A csodálatos mandarin), a “pantomime grotesque” came out in 1916. It is the story which inspired Béla Bartók, the famous Hungarian composer, to create in 1924 the ballet The Miraculous Mandarin.
After World War I, Lengyel went to the United States for a longer stay and published his experiences in 1922 in a book Amerikai napló (American Journal). In the 1920s, he was active in the film industry. For some time, he was story editor at May-Film in Berlin. In 1929/30, he was co-director of a Budapest theatre. In 1931, he was sent by the Hungarian newspaper Pesti Napló (Pest Journal) to London as its reporter. The story of his Utopian novel A boldog város (The Happy City) came out in 1931; it was set in an American city that lay in the depths of a chasm created by the great Californian earthquake.
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